Forest Field News items
Not so long ago I posted the word Jorge wrote on our Lonely Desert album. Now he has gone back in time a little and picked up the Angels? album. Here is what he wrote about it (translated by Google from Portuguese):
Forest Field – Angels – Peter Cox’s request not to take this album too seriously, should be regarded as a moment of good humor, as well as the cover of the album. The opening track, Broken Wings, totally instrumental, even with a modern footprint reminds us of good progressive rock. Angels, the second track, is that infectious hard rock with AOR pitches, great guitar solos, accurate drumming, which takes us to the good times of Journey, Peter Frampton, Kansas, Asia, Europe and other sacred 80s monsters. Left At Cloud Nine is yet another beautiful short instrumental that will take us to It Looks Like Rain, a softer song with a captivating keyboard in the background, and again the well-placed and seductive guitars become an invitation to an ecstatic journey. Needless to describe each song here, since all 11 songs are fascinating charm, showing that Peter was in ambitious moments of inspiration. An infectious album from beginning to end indicated not only those who like a softer rock, but to all who seek good music. It is important to emphasize the love of Peter for the style, since besides musician, he owns the record company Rock Company, that even comes launching some Brazilian bands in Europe, like Fred Mika, Still Living and Marenna. Thank you for the good songs and for the support of the Brazilian musicians, Peter.
Thank you again so much Jorge! Stuff like this totally makes my day!
Since another album will be a while, we decided that a video for one of the tracks on Lonely Desert would be a good idea. After all, 5 months number 1 on the Rock Top 30 at OMWR, very favorable reviews all around, and still a lot of people are not aware of the album. It deserves more attention, so everyone is invited to help share it!
Holy cow, as if getting a nomination for the Lonely Desert album wasn’t enough, we now also received a nomination for the 2016 Rock Track Of The Year award for the opening song on the album, Valley Of Pain!
Needless to say we are very humbled and proud. You can vote here, and we want to wish all the nominees success!
Thank you to all the folks and listeners at One World Music <3
Well, how to react to the fact that your album is on top of the Top 30 Rock Chart for a record breaking 5th month in a row? I am speechless and so thankful for all the support Lonely Desert is receiving. It is awesome beyond words and humbling. The best words I have are THANK YOU!
For now we are resting on our laurels a bit, but rest assured, there will be another Forest Field album. We just need to get it started, someday…. But for now we enjoy this success <3
We have the honor of receiving the 2016 Rock album nomination from the ever so friendly people at One World Music Radio. Their team of judges have decided to put our album Lonely Desert among the 10 nominees!
If you look at the list, it feels kinda unreal we are featured there. Even when our previous album Angels? won at the awards for 2015.
Needless to say we wish all the nominees success! As far as we are concerned, we are all already winners.
Dmitry from Let It Rock on DMME has written another great review for our latest album! You can find it on their website or read it below. Thank you Dmitry!
FOREST FIELD – Lonely Desert
Rock Company 2016
Spicy, if not spaced out, interpretation of the Muad’Dib story. Epic choruses abound.
Over the years, there’s been a few attempts to harness the essence of Frank Herbert’s “Dune” but only Klaus Schulze had taken it to an LP scale while eschewing songs’ format, an approach which multi-instrumentalist Peter Cox turned around for his fourth album loosely based on the classic book. With former LEGION singer Phil Vincent giving voice to most of the pieces here and clinging to Arrakis’ literary surface in “Fear” to create a triumphant finale, “Lonely Desert” is a many-layered work which reveals previously unnoticed textures with every new spin without losing its infectiousness.
One doesn’t need to be familiar with the context, though, to feel its melodic grip once “Valley Of Pain” has set things in motion with a heavy guitar hook, before vocals bring airiness into the arid riff-and-strum whose AOR magnetism is inescapable. There also sublime harmonies to make the refrains of “Into The Light” and “Asleep” as memorable as possible, yet dry production and deliberate toning down of the performances add to the thematic and cinematic dramatism that’s dictated by the original sci-fi saga.
Whereas voiceless vignettes such as “To Bits” introduce folk sensibility to the narrative, they also provide atmospheric contrast to the tension oozing out from the organ-bolstered “Alienation” to let this cosmos breathe. It may be lonely out there, but there’s music for a company.